A native of Bordeaux (1985), Jean-Patrick Besingrand has been described as an « audacious composer » whose music « takes the listener on a fascinating and rewarding journey ». His music plays on tone colors and explores different conceptions of temporality. The incorporation of natural elements such as air sound is also at the center of his interests.
Jean-Patrick has participated in several festivals and masterclasses, including Musica Festival, Shanghai New Music Week Festival, Thailand International Composition Festival, Tokyo Media Interaction, Red Note, Viola’s 2014 at the Paris Conservatory, and l’Odyssée des Arts. At these festivals, he received instruction from renowned composers such as Beat Furrer, Philippe Hurel, Philippe Manoury, Jörg Widmann, Qin Wenchen, Daniel D’Adamo, Tania Léon, Mathew Rosenblum, Claude Ledoux, Chen Yi, and Luis Naon.
He has received recognition from the Lin Yao Ji International Competition, the Molinari Quartet Sixth International Composition Competition, the Chengdu-China Sun River Prize competition, the Robert Avalon International Competition for Composers, the American Prize, and the First International Composition Competition Viola’s 2014. His saxophone quartet won the first prize of the Composition Competition for Saxophone Quartet organized by SaxOpen and the Festival Musica. The Robert Starer Award commemorated his harp concerto Sur les ailes du temps in May 2016.
His music has been performed by ensembles such as Orchestre National Bordeaux-Aquitaine, Court-Circuit, Dal Niente, Mivos Quartet, Molinari Quartet, Platypus, Mise-En, Quince, Contemporaneous, Del Sol Quartet, Offspring, C4, Singularity saxophone quartet, Klexos, Carnegie Mellon Philharmonic, CMU Contemporary Ensemble, Círculo Trio, Very Small Consortium Ensemble, Aurae Duo, and by the several soloists including Thomas Piercy, Pierre Dutrieu, Yumi Suehiro, Vilian Ivantchev, Elsa Seger and Martha Cargo.
Jean-Patrick holds a Master of Arts in Musicology from the University of Bordeaux, and graduated with high honors in Analysis, Harmony, Counterpoint, Fugue, Composition, and Soundpainting from the Bordeaux Conservatory where he studied notably with Jean-Louis Agobet in composition. He also holds an Advanced Certificate in Composition from Carnegie Mellon University where he studied with Leonardo Balada. Currently Jean- Patrick is a PhD student in composition at CUNY under Professor Jason Eckardt. He is also working on his doctoral thesis in Musicology at the Sorbonne in Paris.